发烧好器材：国际权威详细解析QUAD发烧小书架音箱S1的声音特点

doubts that the tiny Quads might not be up to the job of reflecting the talent upstream are quickly crushed by a pfesentation that makes the source and amp combo sound more beguiling and musical than it has done before. This is a surpdse and has me wondering if designer peter Comeau has pulled off a masterstroke of smoke and mirors in the voicing. Making small speakers sound convincingly full-bodied through port tuning and crossover tailoring often has side effects that are less pleasing. But no, the only trick the S-1 seems to be guilty of is drawing the listener right in fiom the opening bars and not letting go. 

怀疑Quad这对小音箱可能无法胜任发烧音乐的诠释，但很快被它的声音表现所折服，实际听起来比以前同价位的任何配置更加迷人和音乐化。这是一个惊喜，让我很想知道设计师彼得 Comeau 是否在声音中创造了一个魔法杰作。通过喇叭以及分频器的调节，使这对小型扬声器听起来令人信服地丰满，但副作用往往不那么令人愉快，那就是S-1似乎唯一缺点就是把听众吸引到真实的现场，不让他们离开。

Perhaps more pertinendy for Quad, the overarching &＃39;politeness&＃39; that has tended to defide the sonic signature of some previous small standmount designs from the company has given way to a higher order of dlmamic expression and immediacy and, more rcwardingly still, an ability to deliver lighming-fast tansients without blunting o! indeed, hlping the leading edge. The ribbon tweeter is clearly key here as it breathes hitherto unprecedented life, structure and resolution into recordings that miSht previously have been considered less than sparkling examples of the digital art. Eric Clapton&＃39;s Augurt album is a classic test here. lt can often sound muddy harsh and congested, but the S-1&＃39;s openness and ability to render subde ambient cues believably enables it to mine subtleties and nuances that make it a much more enioyable listen. 

也许对于 Quad 来说更有针对性的是，总体的“礼貌”倾向于挑战 公司以前的一些小型立式设计的声音特征，已经让位于一种更高层次的动态表达和即时性，以及更令人难以置信的，在不削弱 o! 确实，有助于领先优势的情况下传递闪光-快速瞬间的能力。丝带高音在这里显然是关键，因为它展现了迄今为止前所未有的活生感，层次感和分辨率的录音，我以前一直认为不如闪闪发光的例子的数字艺术。埃里克 · 克莱普顿的奥古特专辑是这里的经典测试。它通常听起来粗糙刺耳，拥挤不堪。但 S-1的开放性和渲染环境线索的能力令人信服，它能够挖掘微妙和细微的差别使，它成为一个更加发烧的器材。

Bass is agile, tuneful and afticulate but remarkably weighty and extended considering the bUou box and main ddver. With the Audio Analogue amp in situ and single-wired, the overall balance becomes a litde more relaxed but the presentation remains outstandingly transparent, natural and unforced with an immersive but tighdy focused soundstage that has a real sense ofdepth as well as spreading comfortably beyond the lateral span of the speakers.

低音是敏捷的，优美的和细腻的，虽然是小尺寸音箱但是有非常好的量感和低频延伸。音源和功放搭配到位的情况下，整体整体听感非常平衡也变得更加宽松，也仍然是出色的透明度，自然和非强迫的沉浸式紧密聚焦声场，有一个真正意义上的深度，以及舒适地扩展超过扬声器的横向跨度。

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